A New Process

A New Process

My introduction to printmaking was a monotype class over 20 years ago, at the Center for Contemporary Printmaking (CCP) in Norwalk, CT. From the moment I stepped into the upstairs, light filled printing studio with its exposed wood beams, wide plank pine floors, and scent of inks, and waiting presses, I felt at home.

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Welding It All Together

Welding It All Together

After watching a colleague piece together a steel structure for my glass and wood sculptures, I wanted to learn to weld. I wanted to create structures for my bird nest and paper sculptures, ones intrinsic to the work itself. I saw Judy Pfaff was teaching a week-long class at Truro Center for the Arts. Having taken an installation class with her previously, I knew it was the class for me.

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Escape into Art - part 2

Escape into Art - part 2

A deep sigh

It is hard to describe the deep peace and inner quiet upon arriving at the Rural Residency for Contemporary Art (RUC) in Cividate Comuno, Italy. After the never ending art to see at the Venice Biennale along with all the other things to see in Venice, it was a gift to step into the fresh country air and just be. No schedule. No list of things to see or do.

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Escape into Art - part 1

Escape into Art - part 1

Escape

I gaze longingly at the images. I imagine a whirlwind of art in Venice followed by a week at a rural residency… sitting outside, summer sun shining on me, facing the Alps, drawing, stitching my teabag pieces, and wandering the hills and medieval towns nearby.

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Letting the Work Lead

Letting the Work Lead

Studio interuptous

After a holiday season overflowing with family, joy and chaos, I was anticipating a long quiet stretch of winter in which to slowly clean up the studio, re-organize, and get back to work. Instead, in early January my daughter moved in with her five-month-old baby and her dog, to stay with us while her husband is deployed on a nuclear sub.

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Risky Business

Risky Business

I spoke last month about slowing down and taking a pause. I was beginning to dig out of my studio and fully intended this month to write about that process. However, as with all things in life, life happens, plans shift and one must pivot. I decided that rather than skip a blogpost this month, I would invite another artist to talk about her own studio practice.

Avery Syrig is an artist, friend, art installer, artist advisor and fellow conceptual and material-based artist…

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A Return to the Studio

A Return to the Studio

Out of the holidays

My children and grandchildren have returned to their lives, the holiday decorations are tucked away, laundry done, the house cleaned. I sit here with a mug of tea, savoring the quiet, outside sounds muffled by the first snowfall, the antique clock ticking behind me. Though I am grateful for the busting-out-at-the-seams couple of weeks in our tiny house, the shared laughter and meals and happy chaos that is always part of a family gathering, in the midst of it there is little room for contemplation or deep work in the studio.

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